CAPTURING AUTHENTICITY

In 2010, Angela Shelton was on stage speaking at a 140 Conference hosted by Jeff Pulver (co-founder VONAGE), sharing healing techniques for moving on from traumas like domestic violence and child sexual abuse and Doc Dixon was there sharing ways to begin prison reform. Angela and Doc met and became instant friends. While on a road trip later that year with her high school sweetheart and soon-to-be husband, Angela stopped to stay with Doc and his wife, Linda. The four stayed up drinking wine and listening to Doc’s prison stories.

As Doc shared about how he went into prison in 1978 and ran into his best friend from reform school there and they instantly struck up their bond again, Shelton was enthralled with the story of loyalty. Doc told how his friend George had become an unbeatable boxer inside, winning every fight he ever fought. When inmates and admins would ask how he did it, he would hit his chest and say, “I got Heart, Baby!”

As Shelton listened to Doc’s story of George knocking out every boxer in the ring with him, including free world champs, and then being offered a chance at the Olympics and turning it down, Shelton was riveted. But when Doc told her the reason George turned it down, describing the love her had for Crystal, Shelton said this had to be a movie and it needs to be called, “HEART, BABY!”


#CONVICT-APPROVED

10_img-504132807_Edited.jpg

 After hearing from prisoners and admins about how prisons were incorrectly depicted too often on TV and in movies, Shelton wanted to be sure that Heart, Baby! was convict approved. Of course after having an extensive education in prisons and prison reform, the term “convict” is not approved; the correct way to refer to what we used to as “ex-cons” is now “returning citizens.” In the case of using a catchy hashtag Shelton got #convictapproved approved by her returning citizen friends.

In order to be sure that the never-before shared historical moments were depicted correctly in Heart, Baby!, Shelton made sure the real Doc was present throughout pre-production and production to approve everything from props to costumes. NATE JONES (Production Designer) had a blast working with the real Doc to be sure everything was authentic to prison in Tennessee in the time period, including making blue flame whiskey and hooch.

Throughout the film, real prison terms are used and not explained. Shelton says, “I believe audiences are smarter than we give them credit for and instead of spoon-feeding them, I wanted to throw them into the world of prison in 1984 from the very first punch of the film and let them figure it out.” Like the term “short eye” is mentioned quite a bit yet never explained but we realize that the “short eye” is the child molester and many of us run to google after watching the movie to read up on it.

Costume designer CLAIRE BREAUX worked with Shelton and Doc on every tiny detail since in the time this movie happened, prisoners were allowed to wear their own clothes if they had their numbers on their backs. Shelton and Claire had a blast with Crystal’s wardrobe since the sissies were allowed to dress up for Friday Night Fights. They took ensembles to be approved by Doc and Doc would shake his head no and say, “You gotta remember, Crystal was a rich girl. Her family locked her away, but they still sent her money. She had all kinds of sequins and beads and fancy fabrics smuggled in. She looked like a runway model sometimes. If she had been free, she would have had a fashion line.”

As the art department and props were setting up the chow hall scenes they quickly got an education that even though inmates only got a spoon and fork to eat with, they made their own knives, called shanks, and to witness a murder in the chow hall was not unlikely.

Shelton had Doc by her side for the actors as well, to help them get into the characters he grew up with. The only problem is that when you get him started, Doc can go off on a tangent, remembering some wild story that would sometimes be very off-topic from the scene they were on. Shelton had a card in her pocket that she would just hold up to Doc as he was regaling someone with a story that said, “STOP TALKING” and he’d shut up really quick, giving her a sheepish grin.


PRISON DICTIONARY

NEED HELP TO UNDERSTAND ALL THE PRISON LINGO IN THE FILM?